poems
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The Gravity of Joy in Denver Quarterly 56.4 (2022)(print)
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because I was already so sick (thank you) in Yellow Medicine Review (spring 2022)(print)
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Encoded Anatomies in The Rumpus's National Poetry Month series (2022)
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Seattle Sonata (legato, every note legato) as part of the Reimagine Seattle Storytelling Project (2022)
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pandemic: even the nice days, we're inside in The Madrona Project (2021)(print)
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encroachment: desert song and anompa' (hand to mouth) in Yellow Medicine Review (spring 2021)(print)
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coil (from the foretop) - The Evergreen/Shade Literary Arts (2021)
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from the ravine (five panels of winter), New Paint, Watching them move, and Study: ninth-grade student with editing pen in Jack Straw Writers Anthology, Vol. 24 (2020)(print)
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five poems as Seattle Review of Books Poet-in-Residence (March 2020)
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concrete, exhaust, a chill (our cities feel the same before 8am),
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Pandemic: While home is an outbreak, we pass a graveyard (**this is one of my favorites, check it out**)
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this story doesn't end in the unobscured and the aftermath of what - LitHub - New Poetry by Queer Indigenous Women, curated by Natalie Diaz (2018)
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nanta (kata) - Boston Review (2018)
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being of - Poetry on Buses (2017)

poems from exhibits (manuscript in progress)
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three poems from exhibits: imago, Persephone in the rust belt, and self- - Crazyhorse/swamp pink special feature (April 2022)
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five poems from exhibits: DO NOT TOUCH THE ARTWORK, fireside, a primer on habit, on the sidewalk, and How to Heal from Brainwashing and Regain Control of Your Mind - A Dozen Nothing (Sept 2021)
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recover (II) - Anomaly #30: Queer Indigenous Poetics, curated by tanner mennard (2020)
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an-language: significant expressions and [silence] - yəhaw̓ exhibition (2019)
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checklist [ ] / (fulfill half before she touches you) - Whisper and the Roar (2019)
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on the record series - Blood Into Ink (2019)
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one poem in ʤə́kʼʷ zine, vol. 1, pdf available online (2019)
musical collab
A piece from exhibits got to spark a new piece of music from Kate Olson, thanks to Jack Straw and The Bushwick Book Club. I read the poem first, and you can read along with it on the screen, then Kate's work starts at about 1:45. Dream come true! Check it out.
installations and exhibitions
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exhibits at Seattle Repertory Theater, solo multimedia installation, April 4-10, 2022
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yəhaw̓ at King Street Station, two pieces with audio, March 23--August 4, 2019
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“Now We Know: Indigenous Artists Write the World”, five pieces with audio, February 8--March 8, 2019
anthology appearances
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Queer Nature anthology from Autumn House Press - the aftermath of what republished here
other lit-related projects
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guest co-editor (with Maiah Merino) of the Spring 2022 issue of Yellow Medicine Review